Angela Bey

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But, my friends call me "Ang".

(they/them/theirs)

I am a Black, Queer artist from Southwest Philadelphia. I am committed to the transformative power of storytelling. Provocation with purpose makes for dynamic, socially conscious, and challenging work. I create to ignite decolonization and radical healing within myself & within the world. It is our divine duty to strive for the Utopia we may not live to see.

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co-artistic director of Shoe Box Theatre Collective and the new Wings of Paper Theatre Co.

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proud member of Ring of Keys and Director's Gathering

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former member of Jouska PlayWorks

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contact:

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Artistic resume download here. Arts administration resume download here.

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"As a fresh face in the industry, I was not ready for this frank dialogue about intersectionality in theatre. But it needs to be had. We want so badly to be diverse and to create diverse stories, but we don’t want to listen to the voices that make them. Ang Bey has done a wonderful job calling out the double standards through the story of Meddie, and her journey creating a devised piece about the Greek Medusa Myth."

-Kelly Hayes, Captive Audience Review of The Medusa Play

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"All of the actors put in strong performances, but Bey is the strongest, their soulful eyes and magnetic voice making it clear why director Bi Jean Ngo would have wanted such a performer in so central a role. But just as Bey is able to break your heart with a single glance, the rest of the cast shows the hard work of mending after a tragedy."

-Jillian Ashley Blair Ivey, Broad Street Review of Candles

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"Ang Bey stuns in all three of their roles in To the Stars With Love, The Nerd, and S.C.R.I., bringing crisp focus and definition to characters who are similar in their drive and confidence, but are tonally distinct as firm but gentle, righteously outraged, or overeager and overwhelmed in turn."

-Mina Reinckens, Broad Street Review of The Days of Recreation

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"In this streamed performance from a cast of four, all of the actors had to nail their performances to sell the intense, stressful, and desperate feel of the show, and they did. As an avid gamer in love with visual storytelling and choice-based narratives, I felt Alex’s passion for the medium and her outrage when describing the misogyny and objectification targeting female characters. Bey’s Alex conveyed enthusiasm and exasperation as well as visceral rage, sickening fear, and dead-eyed exhaustion: the harassment Alex experiences felt both personal and real..." 

-Mina Reinckens, Broad Street Review of D-Pad

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"Walk The Line was visceral, timely & so moving. No fat, all substance, lean and fierce with piercing moments of silence, that spoke volumes. Brilliant!"

 -Brian Anthony Wilson, on Walk the Line

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"I thought your work tonight highlighted a very important conversation Black people are having right now. This work will be something to look back on as it examines the nuance in the lives and decisions of Black people as well as their fight for liberation. The play creates space for the fears we hold onto on a daily basis and rather than stay in a place of scarcity this play ignites us to start thinking from a place of abundance. It challenges us to think about what changes really means and how willing are we to start imagining the lives we deserve as Black folks."

 -Deja Morgan, on Walk the Line

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contact:

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Artistic resume download here. Arts administration resume download here.

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"Whatcha Been Up To?"

Playwriting 

UPCOMING

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• Mt. Vernon Park Play (Shakespeare in Clark Park)

COMPLETED

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• Every Everyman (One-Act) - a devised, socially-distant, live adaptation of Everyman with contemporary emphasis on Black liberation.

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• Walk the Line (One-Act)-  Run. Don't walk. Who decides how we pursue our legacy? Who decides how we fight for liberation? Who draws the line? A hood-angel Zoom-bombs Hudda's final moments. They are both in crisis. They argue over what it means to live and die in a world that'd rather you be erased. Hudda won't live to be erased.

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• Dandelion (One-Act; 154 Revisited with Revolution Shakespeare) - Adaptation of sonnets 46, 85, & 98.

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• Coruscatum (One- Act) - a devised, multimedia performance piece/time capsule//machine with the Upper School students of Friends Select.

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• The Medusa Play (Full-Length; Barrymore Recommended) - Who is the Black artist? Who is Medusa? ​

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• The White Feather Project (One-Act) -  devised from interviews of the Ursinus community concerning cowardice under racial stress. Accompanying the final performances and script, a website including a reading list, video diaries (of the process), and original blog posts are available for public and academic use

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• Little Dancer (One-Act) - A solo show about a toxic, Black/White interracial relationship

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• Com[promising] Freedom (One- Act; produced at The National Constitution Center) -  "What will we do with all this freedom?"- Elizabeth Powell​ and her peers ask themselves this question in studying for their final history exam about The Declaration of Independence. Click here to read an article.

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• Pedestals (Monologue) - ​​After assaulting a peer due to a racially charged incident, an African-American star student is confronted by her principal and her future. Click here to watch a recording of Pedestals. Listen to the Philadelphia Young Playwright's podcast series "Mouthful" here!​

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• Editorial for Grid Magazine about my experience as a young artist of color.

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IN-DEVELOPMENT ​

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• Twenty-Six (Full-Length)

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• Rice & Em Fight a Lion (Full-Length) - On-going, world-building exercise exploring the intersections of (non-binary) gender and race in the digital age.

For more information (commissions, writing samples, inquiries), please email

Directing 

UPCOMING

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• 23: The Tale of An Exoneree (film)

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• DG Jam 2021 with Directors Gathering

COMPLETED

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 NEW WORK:

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• Every Everyman - produced by Shakespeare in Clark Park, assistant-directed with Kittson O'Neil

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• The Medusa Play - produced by Shoe Box Theatre Collective, co-directed with Ryan Rebel 

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•  The White Feather Project - produced by Ang Bey at Ursinus College & Shoe Box Short Theatre Festival, co-collaborated with Rachel Ceciro

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• Little Dancer - produced by Ang Bey at Ursinus College

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• Daffodil by Arthur Robinson - produced by Ang Bey at Ursinus College

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• Coruscatum - produced by Friends Select Upper School Theatre Department

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Click here to watch a full, live recording of Every Everyman

SEE MY PORTFOLIO

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