Ang Bey
(they/them/theirs)
Performer | Playwright | Producer | Director | Teaching Artist
[abridged] mission
"I am a Black, Queer artist from Southwest Philadelphia. I am committed to the transformative power of storytelling. Provocation with purpose makes for dynamic, socially conscious, and challenging work. I create to ignite decolonization and radical healing within myself & within the world. It is our divine duty to strive for the Utopia we may not live to see."
personality & podcasts
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Here to read my viral Facebook post about white "allyship". Formal publishing with Power Street Theatre TBA.
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Here to watch my interview with Ryan Rebel for Venice Island at a Distance discussing racism in theatre.
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Here to listen to my episode of "no small parts" - a podcast hosted and created by Brittany Brewer.
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Here to listen to a three-part podcast I recorded with The Eagle Theatre discussing Blackness in the performing arts.
[selected] credits
[co-artistic director of Shoe Box Theatre Collective]
[co-creative director of the new Wings of Paper Theatre Co.]
[member of Jouska Playworks]
[member of Director's Gathering]
[admin]: Freelance teaching artist; 2019/20 Season Apprentice at Theatre Horizon
[stage]: Candles (Philadelphia Young Playwrights); Our Ouija Board… (On the Rocks); Twelfth Night (Shakespeare in Clark Park) upcoming:, Lilith & Her Demons (Apartment20),The American Revolution (Theatre Unspeakable), The Niceties (InterAct Theatre Company)
[film]: Sundance Directors Lab Actors Ensemble 2017; LP (AE Film; Carl Lerner Award, Best Student Film Nominee at Bronzelens & Woodstock Film Festivals); Georgie (dir. Lars Keer); Bracelet (dir. John Deswert)
[playwriting]: Everyman ( & co-directing; Shakespeare in Clark Park); The Medusa Play ( Shoe Box Theatre Collective); Peter Pan and Other Men (Apartment20: Ghost Stories 24 Hour Theatre Festival); The White Feather Project (Upstream Performance Collaborative);Com[promising] Future (National Constitution Center); Pedestals (Philadelphia Young Playwrights); Jouska Play Works Inaugural Member (Simpatico Theatre Company) upcoming: virtual presentations of Twenty-Six (Jouska PlayWorks) & Walk the Line (Philadelphia Women’s Theatre Festival).
Contact:
Artistic resume download here. Arts administration resume download here.
"Societies never know it, but the war of an artist with his society is a lover’s war, and he does, at his best, what lovers do, which is to reveal the beloved to himself and, with that revelation, to make freedom real."
-James Baldwin, "The Creative Process"
Upcoming
"In this streamed performance from a cast of four, all of the actors had to nail their performances to sell the intense, stressful, and desperate feel of the show, and they did. As an avid gamer in love with visual storytelling and choice-based narratives, I felt Alex’s passion for the medium and her outrage when describing the misogyny and objectification targeting female characters. Bey’s Alex conveyed enthusiasm and exasperation as well as visceral rage, sickening fear, and dead-eyed exhaustion: the harassment Alex experiences felt both personal and real..."
-Mina Reinckens, Broad Street Review of D-Pad
"Ang Bey stuns in all three of their roles in To the Stars With Love, The Nerd, and S.C.R.I., bringing crisp focus and definition to characters who are similar in their drive and confidence, but are tonally distinct as firm but gentle, righteously outraged, or overeager and overwhelmed in turn."
-Mina Reinckens, Broad Street Review of The Days of Recreation
"All of the actors put in strong performances, but Bey is the strongest, their soulful eyes and magnetic voice making it clear why director Bi Jean Ngo would have wanted such a performer in so central a role. But just as Bey is able to break your heart with a single glance, the rest of the cast shows the hard work of mending after a tragedy."
-Jillian Ashley Blair Ivey, Broad Street Review of Candles
Playwriting
COMPLETED
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The Medusa Play (Full-Length; Themes of Racial Injustice; WORLD PREMIERE @ Shoe Box Theatre Collective- Barrymore Recommended Production)
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Who is the black artist? Who is Medusa?
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The White Feather Project @ Ursinus College (Director and Playwright)
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The White Feather Project is a theatre piece devised from interviews of the Ursinus community concerning cowardice under racial stress. Accompanying the final performances and script, a website including a reading list, video diaries (of the process), and original blog posts will be available for public and academic use long after the project’s completion.
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Com[promising] Freedom (One- Act; Historical Fiction; Produced @ The National Constitution Center
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"What will we do with all this freedom?"- Elizabeth Powell and her peers ask themselves this question in studying for their final history exam about The Declaration of Independence.
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Pedestals (Monologue; Themes of Racial Injustice; Produced @ Interact Theater Company)
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After assaulting a peer due to a racially charged incident, an African-American star student is confronted by her principal and her future
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Editorial for Grid Magazine about my experience as a young artist of color.
IN-DEVELOPMENT
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The Pageant Wagon: Everyman- a devised, socially-distant, live adaptation of Everyman with contemporary emphasis on Black liberation.
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Twenty-Six (Full-Length)
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154 Revisited with Revolution Shakespeare (Adapting sonnets 46, 85, & 98)
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Walk the Line (One-Act)- Run. Don't walk. Who decides how we pursue our legacy? Who decides how we fight for liberation? Who draws the line? A hood-angel Zoom-bombs Hudda's final moments. They are both in crisis. They argue over what it means to live and die in a world that'd rather you be erased. Hudda won't live to be erased.
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The Utopia Project- a devised, multimedia performance piece/time capsule//machine with the Upper School students of Friends Select.
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The Treehouse (Full-Length)- "I want to build a world Black dads don't get lost in..."
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Rice & Em Fight a Lion (Full-Length)
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On-going, world-building exercise exploring the intersections of (non-binary) gender and race in the digital age.
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For more information (commissions, writing samples, inquiries), please email
Synopsis:
Run. Don't walk.
Who decides how we pursue our legacy?
Who decides how we fight for liberation?
Who draws the line?
A hood-angel (Marissa Kennedy) Zoom-bombs Hudda's (Briyana D. Clarel) final moments. They are both in crisis. They argue over what it means to live and die in a world that'd rather you be erased. Hudda won't live to be erased.
This reading was originally broadcast live to Facebook on September 17th, 2020.
Audience Reviews:
"Walk The Line was visceral, timely & so moving. No fat, all substance, lean and fierce with piercing moments of silence, that spoke volumes. Brilliant!" -Brian Anthony Wilson
"I thought your work tonight highlighted a very important conversation Black people are having right now. This work will be something to look back on as it examines the nuance in the lives and decisions of Black people as well as their fight for liberation. The play creates space for the fears we hold onto on a daily basis and rather than stay in a place of scarcity this play ignites us to start thinking from a place of abundance. It challenges us to think about what changes really means and how willing are we to start imagining the lives we deserve as Black folks." -Deja Morgan
"Ang's clever use of the Zoom medium made it all the more impactful. It was relevant and clear. You pulled no punches. Theatre at its sharpest."
-Kristin Curley
Synopsis:
Isis (Adaeze Nwoko) and Nile (Satchel Willams) are in love and try very hard to keep that true. But distance, miscommunication, and fear marks disaster when you can't reach through a screen to hold a hand.
Adapted from William Shakespeare's Sonnets 98, 85, and 46.
From FringeArts Website:
"Timeless, ageless, and intangible in so many ways — love can be translated into so many forms. Revolution Shakespeare hopes to purely spread more love to any and all who would engage, and to embrace where Shakespeare’s words meet modern sensibilities.
Over 50 playwrights, poets, songwriters, creatives have adapted Shakespeare’s 154 sonnets, considered masterly textual representations of love, into their own uniquely voiced forms. These 154 adaptations, now embodied by a variety of talented individuals in video/audio form, represent a way for us all to translate love into a new form — and perhaps, find and give love radically."
Directing and Producing
COMPLETED
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The Medusa Play by Ang Bey @ Shoe Box Theatre Collective (New Work) [Co-Director with Ryan Rebel & Playwright]
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The White Feather Project @ Ursinus College & Shoe Box Short Theatre Festival (New Work; Devised) [Co-Devised/Directed with Rachel Ceciro, Playwright, & Producer]
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Twenty-Six by Ang Bey @ Ursinus College (New Work) [Director & Playwright]
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Little Dancer by Ang Bey @ Ursinus College (New Work) [Director & Playwright]
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The Medusa Play by Ang Bey @ Ursinus College & AAI (Workshop Readings) [Director, Producer, & Playwright]
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Daffodil by Arthur Robinson @ Ursinus College (New Work) [Director]
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The Playground by Ang Bey @ Ursinus College (New Work; Workshop Reading) [Director & Playwright]
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8 the Play by Dustin Lance Black @ Friends Select School (Staged Reading) [Director]
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High School Daze! by Ang Bey @ Friends Select School (New Work) [Co-Director with Jenny Hayden & Producer]
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Dracula by Paul Olsen @ Friends Select School [Director & Producer]
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The Guardian by Ang Bey @ Episcopal Academy Play Slam [Director]
UPCOMING
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The Pageant Wagon: Everyman- co-directing with Kittson O'Neill and produced by SCP.
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The Utopia Project- a devised, multimedia performance piece/time capsule//machine with the Upper School students of Friends Select.
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Mt. Vernon Park Play- Assistant-directing Nell Bang-Jensen on James IJames's new play for Shakespeare in Clark Park's Park Plays series. Postponed due to COVID-19
The Medusa Play
Academic Premiere at Ursinus College in Spring of 2019 (Directed by Tamanya Garza)
BARRYMORE RECOMMENDED World Premiere with Shoe Box Theatre Collective at Venice Island Performing Arts Center November 15th though 27th (Co-Directed by Ang Bey & Ryan Rebel)
Click here to read my director/playwright's note.
(Photography by Christian Hayden from World Premiere featuring cast members Taylor Cawley, Briyana D. Clarel, Bryce Menard, Terriny Morrison, & William Morrison; poster design by Shahana Jan)
is a ethnographic play concerning white fragility and cowardice. Devised from scholarly texts, primary sources, and in-person interviews, the community of Ursinus College is the vehicle and incubator for this piece.
Performances took place on Thursday, April 25th, 2019 at Ursinus College as part of Celebration of Student Achievement (COSA) and Sunday, May 19th, 2019 as part of Shoebox Short Theatre Festival.
(Cast: Bonnie Baldini & Quinton J. Alexander)
Visual Art
Click on a photograph for specifications and to expand. Commissions available upon request.
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Headshots & Production Stills
Click on a photograph for specifications and to expand and/or download.
